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The Ambassadors' Secret: Holbein and the World of the Renaissance | 
enlarge | Author: John North Publisher: Phoenix Category: Book
List Price: £8.99 Buy New: £0.04 You Save: £8.95 (100%)
New (5) Used (8) from £0.04
Rating: 2 reviews Sales Rank: 108145
Media: Paperback Edition: New Ed Pages: 416 Shipping Weight (lbs): 0.9 Dimensions (in): 7.7 x 5 x 1.4
ISBN: 184212661X Dewey Decimal Number: 900 EAN: 9781842126615 ASIN: 184212661X
Publication Date: September 2, 2004 Availability: Usually dispatched within 1-2 business days Shipping: International shipping available Condition: Mint Condition; We post daily by Royal Mail,from Uk location, Wrapped in bubble and inserted in jiffy bag ;Priority Airmail used Worldwide on International orders
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A rare treat April 18, 2002 14 out of 14 found this review helpful
Rarely have I read a book such as this. North draws on the world of Renaissance Europe to unveil the meaning of Holbein's The Ambassadors. The secrets of the painting lie in the astronomical instruments, the location of the subjects, the anamorphic skull, a half-hidden crucifix, an obscured pavement, a curtain and the dress, identity and bearing of the two human ambassadorial subjects, locating them all firmly on the cusp of Ann Boleyn and Catherine of Aragon in Tudor London. North's conclusions are persuasive, some more than others, and always intriguing. This is an enriching book, leaving the painting's aesthetics to others, but demonstrating the painting's aesthetic appeal in the purely intellectual and symbolic meaning of this work of art.
Like Holbein, beautifully detailed January 2, 2008 Withnail67 (UK) This is an exquisite book that performs the rare feat of taking a masterpiece and providing the viewer with new perspectives on its genius. North places Holbien's portrait of two French ambassadors almost to the day at a turning point of English history, as Henry VIII rejects papal authority and marries Anne Boleyn. In addition to this, he provides an exacting and fluent reading of the portait's scientific, artistic, intellectual and occult significance. This single picture therefore becomes and embodiment of the unique synthesis between science, art, reigion and magic in the 16th century European intellect. This is art history as best seller - you might not believe that descriptions of 16th century astronomical instruments will have you turning the pages for more - but they will. Like Holbein's picture, this book's details are carefully suggested and tantalisngly revealed. I would recommend it for anyone interested in art history and the intellectual life of an incredible century.
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