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The Outcast

The Outcast

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Author: Sadie Jones
Publisher: Vintage
Category: Book

List Price: £7.99
Buy Used: £0.42
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New (45) Used (51) from £0.42

Rating: 4.0 out of 5 stars 81 reviews
Sales Rank: 116

Media: Paperback
Pages: 448
Shipping Weight (lbs): 0.6
Dimensions (in): 7.6 x 5.1 x 1.3

ISBN: 0099513420
EAN: 9780099513421
ASIN: 0099513420

Publication Date: June 16, 2008
Availability: Usually dispatched within 1-2 business days
Shipping: International shipping available
Condition: previously enjoyed paperback in good order

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Editorial Reviews:

Amazon.co.uk

About the Author ~ Sadie Jones
Sadie Jones was born in London. She grew up in a creative environment: her father is the Jamaican poet and screenwriter Evan Jones, and her mother was an actress. As her friends took up their various university places, Sadie worked in a variety of jobs. After travelling, she settled in London and spent several years as a screenwriter, before writing her first novel, The Outcast. Sadie is married and has two children.

Exclusive Amazon.co.uk Interview with Sadie Jones

What is The Outcast about?

The Outcast is about a boy called Lewis - his childhood and adolescence - as he grows up in the stultifying world of the home counties in the late forties and fifties. It is an everyday tale of drunkenness, violence and a fair amount of sex, set amongst the well-brought-up professional classes. It is also a love story.

What inspired you to write it?

The idea of a boy coming out of prison and trying to fit into a community that is itself corrupt was the first thing that came to me. I wanted to write an Oedipal story, with iconic characters, about what the nature of what it is to belong, and injustice. I set it in the fifties because I have always been very attracted to the books and films of that time.

Who are your literary influences?

It's difficult to think in terms of being influenced, because when you write you try to find your own voice and forget those of other writers, but I must in some way be a product of books I've loved. My favourite writers are Hemingway, Capote, Salinger, McEwan and Dostoyevsky.

If you could recommend just one "must-read book" to anyone, what would it be and why?

It would be The Brothers Karamazov, by Dostoyevsky, because it is a book that tells a riveting story and is profoundly insightful about human nature. Dostoyevsky has an undeserved reputation of being sort of turgid, but nothing could be further from the truth of this book. He relishes the events he discloses and has no prissiness - he gets in the mud with his characters.

What top tips do you have for anyone looking to write their first book?

It's very hard; I only know what works for me, which is planning, structure and hard work. I have found that whenever I write thinking I'll sort some lingering doubt out later, I generally run into trouble. If you can't answer every single question about your story, then people will be able to tell. Also, try not to get too tied up in whether or not it's any good, or what will happen to it when it's finished - all of that can be paralysing.

Reviews for The Outcast

An assured voice, a riveting story, and an odd, wrenchingly sympathetic protagonist. I would never have imagined this was a first novel. Lionel Shriver

In the tradition of ATONEMENT and REMAINS OF THE DAY but in her own singularly arresting voice, Sadie Jones conjures up the straight-laced, church-going, secretly abusive middle class of 1950s England. The Outcast is a passionate and deeply suspenseful novel about what happens to those who break the rules, and what happens to those who keep them. I loved reading this wonderful debut. Margot Livesey

I much admired The Outcast. Sadie Jones tells her story using minute details to convey the apparent ordinariness of her characters' lives. But from the choreography of these walking, smiling, drinking people, from their emotional repression and their children's deprivation, she conjures an atmosphere of menace and suspense that erupts into violence and tragedy. It is an impressive debut for this talented new novelist. Michael Holroyd

Sadie Jones is an important new voice. She writes in beautiful prose of terrible events, demonstrating how love denied brings brutal consequences. She conjures the repressive social climate of the 1950s with awful accuracy, and explores the hearts and minds of young people with forensic skill. A great stylist and fine storyteller. Joan Bakewell

One of Radio 4's Book at Bedtime reads for February, Jones' story is imbued with brooding atmosphere and drama. Understated and elegantly narrated with attention to period detail, this is a gripping love story with a twist. If you liked Atonement by Ian McEwan, you'll love this. Harper's Bazaar (Feb issue)

A wonderfully assured first novel. Guardian

The prose is elegant and spare, but the story it reveals is raw and explosive… Devastatingly good. Daily Mail

The Outcast grips from page one… Jones has captured the stultifying morals and mores of Fifties English middle-class life with satisfying accuracy. Publishing News

Set in post WWII suburban London, this superb debut novel charts the downward spiral and tortured redemption of a young man shattered by loss. The war is over, and Lewis Aldridge is getting used to having his father, Gilbert, back in the house. Things hum along splendidly until Lewis's mother drowns, casting the 10-year-old into deep isolation…Jones's prose is fluid, and Lewis's suffering comes across as achingly real. Publishers Weekly

A confident, suspenseful and affecting first novel, delivered in cool, precise, distinctive prose. Kirkus




Customer Reviews:   Read 10 more reviews...

5 out of 5 stars Oppressive, claustrophobic and OUTSTANDING!   June 23, 2008
Joanne D'Arcy (Portsmouth, UK)
93 out of 109 found this review helpful

It is difficult to know where to start when it comes to describing this book.

The story is set over a roughly ten year period and involves Lewis Aldridge who in the prologue is seen coming home after a spell in prison, we don't know why he has been there or what circumstances drove him to commit a crime but this just merely sets the scene for the next three parts of the book, as we discover why Lewis has been incarcerated and trapped not just in prison but in his short life.

Lewis background is filled in and we gradually come to know and meet all the characters. Gilbert Lewis' oppressive father who seems to think that by not talking about events means you will not have to deal with them. Elizabeth, the mother of Lewis, who hides in alcohol and who adores him and spoils him up until the day she tragically loses her life. Lewis grief sets off changes, event after event which affects everyone. Alice, the stepmother who is not stereotypical stepmother; evil, but weak in many ways, and I felt less empathy for this character, who made me want to scream, there is so much she could have done to help Lewis and stop things spiralling but she hid in her room, in alcohol and behind her new husband.

The Carmichaels are the major neighbouring family who the Aldridge's socialise with in their stuffy manner of class and system in the 1950s. Their youngest daughter Kit, is the other trapped character within this book, who is trying to escape the fact that she has fallen in love with the local bad boy `Lewis' but also her violent father, Dicky who seems to have control over everyone, either by force and brutality or what and whom he knows. Justice will prevail in the end for the reader, and a relief it was.

Lewis is a rather lost soul, after his mother has died and his actions are always referred back to the tragic event. He is trapped within the constraints of his mind, never discussing what has happened and uses self harm to release the pain. Trapped in prison, trapped amongst his father's regime and the neighbours as they expect a certain sort of behaviour, trapped by a local girl for fun to name but a few.

This book beautifully deals with some fairly brutal issues and places them into a society which is somewhat different to nowadays. The descriptions of the violence are somewhat shocking but this is only to emphasise the problems that these people have to deal. I really felt quite claustrophobic while reading the whole book and felt just as trapped as Lewis and Kit did.

There is not an Epilogue to this story, you do not know what happens after these major events, you just hope that justice prevails and those who live to be loved remain so and can find peace in their own minds.

Do not let any of this put you off the book it is a fantastic story which keeps you on the edge of your seat from page one right until the end. A great debut novel.



5 out of 5 stars Stunning   June 23, 2008
Lynne Barrett-lee (Cardiff, Wales)
89 out of 109 found this review helpful

As a novelist myself, I tend to read fiction with both a writer and a reader's eye at the same time - and however much it pains me to admit it, this is the book, above all others I've read in the last year (and I read lots), that most makes me want to hurl it across the room, screaming 'I SO wish I'd written this!'. Which is also why I'm here singing its praises, as word of mouth is the best way to choose your next book.
Trust me, you won't be disappointed by this one. Unbelievably assured and well crafted for a first novel, The Outcast - who takes the form of recently released from prison 19 year old Lewis Aldridge - grabs you on the very first page and, simply put, just refuses to let you go. I defy anyone not to want to pluck the traumatised Lewis from his nightmare and take him home with them, and the claustrophobic and oppressive atmosphere of a stifling 1950's upper middle class Surrey is so well drawn it's hard to imagine this writer is too young to have lived it. Sadie Jones is not only a born novelist (so hurry up and write the next, please) but a worthy pick for the ever-reliable (and refreshingly publisher's-hype free) Richard and Judy machine. Just brilliant.



5 out of 5 stars Riveting and moving   June 27, 2008
A. Phillips (uk)
37 out of 48 found this review helpful


As I grow older- I am intolerant of books which try to be so clever that reading becomes a chore rather than a pleasure and other dull books that centre around middle class women to and fro-ing from private schools and having affairs.
This is an intelligent book with an engaging story of love, loss and suppressed emotions in the 1950's. This book grabbed me within a few pages and I devoured it within a couple of days. In fact at times it was hard to put down. It was beautifully written, passionate and moving at times.
You won't be disappointed.



5 out of 5 stars Brilliant   February 21, 2008
Mr. S. J. Brookes (London, UK)
9 out of 12 found this review helpful

I was gripped from the very first page. Like watching a car crash in excruciatingly slow motion, this is an uncompromising tale of a communal failure to take responsibility for a troubled child. Moving, harrowing and deeply thought-provoking, it is an indictment of a certain stalwart Britishness that is all too resonant in the contemporary world. It is also a beautiful and unexpectedly optimistic love story. A must-read!


5 out of 5 stars AN ACHINGLY BEAUTIFUL STORY   March 15, 2008
Gail Cooke (TX, USA)
13 out of 18 found this review helpful

British writer Sadie Jones has given us an amazing debut novel, an achingly beautiful story of loss, love, and redemption. She astounds with her picture of 1950s England, a Surrey where emotions roil beneath a peaceful bucolic surface. With penetrating insight and scrupulously wrought studies she traces the characters as they develop. Her portrait of a young man who almost perishes in a painful search to define himself is especially moving.

The Outcast opens as 19-year-old Lewis Aldridge is released after serving a two-year prison term for setting fire to the village church. He goes home as, in truth, he has nowhere else to go. He's hoping for a new beginning but that is not to be.

Lewis's childhood is described in a flashback to when he was 10-years-old and adapting to his father, Gilbert, being home again after the war. Prior to that time Lewis and his mother, Elizabeth, enjoyed a happy, loving relationship. She doted on him and he returned her affection. Always a shadowy figure, Gilbert, once again takes his place in the home yet remains a puzzlement to the boy.

Soon a dreadful tragedy occurs that sends Lewis into a horrific spiral of isolation, violence, and self-mutilation. Elizabeth drowns on what had begun as a happy river side picnic for Lewis and his mother. Gilbert is little solace to the boy and remarries within a year. Alice, his second wife, knows little of how to reach Lewis who is ostracized by his childhood friends. Riddled with self-hatred his behavior becomes increasingly anti-social, and he withdraws even deeper into himself.

He is virtually shunned by other villagers save for Tasmin and Kit, daughters of Gilbert's employer, Dicky Carmichael. Kit is the youngest daughter who was a tag-along playmate in Lewis's childhood, often ridiculed by her older sister and ignored by the others. The Carmichael household is a dark one, harboring the secret of Dicky's domestic violence. "Dicky often hit Claire (his wife), it was a habit, and part of the pattern of the family, and it wasn't questioned between them at all."

Dicky's rage is soon vented on Kit as he beats her mercilessly, always slapping her hard across the face with an open hand so as not to leave any marks. He would beat her with a belt "until his arm felt quite tired."

Upon his return from prison Lewis finds no welcome or comfort in his home. "Very often Gilbert and Alice were fairly drunk by supper anyway, so it wasn't as bad as lunch, but sometimes the being drunk was worse - you could see what was underneath."

When Lewis learns of the abuse suffered by Kit he longs to rescue her, but feels he has no power to do so. Is it possible that one damaged individual can save another?

With lucid, affecting prose Sadie Jones carries us along to a startling yet satisfying conclusion.

Highly recommended.

- Gail Cooke


 

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