Bernstein: West Side Story

I think it's a real treat to hear the songs performed by classically trained singers and not - like Bernstein himself says on the dvd - performed by dancers who also can sing somewhat. In my opinion the songs benefit greatly from being sung by singers like Jose Carreras and Kiri Te Kanawa. What I don't like about this recording is Bernsteins decision about not letting the singers perform the spoken dialogue as well as the singing. And why, oh why did Bernstein have to choose his own children for the task? To me they sound uninvolved in the play and I guess it must be hard to get into the right lovestruck mood when acting against your sibling! But they're the only problem with this recording and a minor one that is.

The whole cast is doing an excellent job on this recording. Jose Carreras is an exceptionally good Tony. His "Maria" is out of this world. And the duet "one hand, one heart" with Kiri Te Kanawa is heart-wrenching. "Tonight" is also outstanding. Something that never ceases to amaze me about him is his ability to make his voice express exactly what he's singing about. In the song "something's coming" he's singing ...."around the corner or whistling down the river".... You get the feeling that something's really whistling down the river. Listen and you'll understand what I'm talking about.

Kiri Te Kanawa is better here than in many of her other recordings. Sometimes she sounds very, very posh when singing, but it's hard to beat her in the duets "a boy like that" and "I have a love", performed with Tatiya Troyanos.

The song "America" makes you wanna get up and dance. And so does "Gee, officer Krupke". The songs have an energy and a freshness about them that makes you unable to sit still. In addition they're quite funny and you just have to laugh.

However, in the end Tony gets shot, leaving you devastated when he dies. I always get this strange "void" inside after hearing the final song where Tony suddenly stops singing and you realize that he's actually dead.

Due to the fact that Leonard Bernstein is conducting the play himself one must assume that this is the recording he would choose, since he most probably made the whole cast perform just the way he intended them to when he wrote the play. And what's good enough for Leonard Bernstein certainly works for me!


The best!   May 1, 2001
Mr. N. A. Chapman (London, UK)
12 out of 15 found this review helpful

Wow, the best ever rendition of one of the world's greatest musicals. It's moving, magical, and simply a fantastic CD to own. Who better to conduct this performance than the very man who wrote the score?


Look no further, this is perfection   June 19, 2004
10 out of 15 found this review helpful

Imagine Mozart recording his Requiem, Beethoven his Choral Symphony or Vivaldi and the Seasons - This is the sort of result you would get. The only thing that would make it better is for DG to release the DVD version of the documentary of the sessions.


Outstanding.   August 23, 2007
A. Gray (London, UK)
1 out of 2 found this review helpful

This recording is simply superb. What some of the reviews seem to forget is that this is a recording of the *music*, not the musical. And in this sense, to my mind at least, the performers' accents are irrelevant. What matters is the fact that this recording brings together a group of some of the most talented singers of the time, and boy does it show.

The luscious soprano voice of Dame Kiri Te Kanawa is, as always, simply superb, as is the rich tenor sound of Jose Carreras; these are complemented nicely by Troyanos' mezzo and Ollmann's baritone voices. The orchestra, featuring Miles Davis on trumpet, is similarly exceptional - their prowess and cohesion is demonstrated particularly in tracks such as "Jump".

Finding faults with this recording is very difficult. One thing that I could not quite get over is the way Carreras rushes during "Something's Coming" - and deficiencies in his rhythmic delivery are noticeable elsewhere in the record. I also couldn't help feeling that Nina & Alexander Bernstein's acting was slightly wooden.

However, on the whole this recording is an outstandingly sensitive and emotional performance of what remains some of the greatest music ever written: highly recommended.