Halo 3 (Xbox 360)
Kingston Technology 2GB SD Secure Digital Card
Braun Oral-B EB17-8 Refill Pack
|
|
|
|
Raising Sand | 
 enlarge | Artist: Robert Plant And Alison Krauss
Label: Decca
Category: Music
List Price: £16.99
Buy New: £5.98
You Save: £11.01 (65%)
New (30) Used (7) from £4.50
Rating:  116 reviews
Sales Rank: 162
Media: Audio CD
Discs: 1
Running Time: 57 Minutes
Shipping Weight (lbs): 0.2
Dimensions (in): 5.4 x 4.9 x 0.4
UPC: 028947802051
EAN: 0028947802051
ASIN: B000Y932GQ
Release Date: October 29, 2007
Availability: Usually dispatched within 24 hours
| |
| Tracks:
| • | Rich Woman | | • | Killing The Blues | | • | Sister Rosetta Goes Before Us | | • | Polly Come Home | | • | Gone, Gone, Gone (Done Moved On) | | • | Through The Morning, Through The Night | | • | Please Read The Letter | | • | Trampled Rose | | • | Fortune Teller | | • | Stick With Me Baby | | • | Nothin' | | • | Let Your Loss Be Your Lesson | | • | Your Long Journey |
|
| Similar Items:
|
| Editorial Reviews:
Amazon.co.uk Review
Led Zeppelin frontman Robert Plant and bluegrass crooner Alison Krauss may not be the likeliest of musical combinations. But on this welcome collaboration album, they work beautifully together, wringing a kind of magic from other people's songs. The key to the album is its versatility. Between them, Krauss and Plant can handle a vast repertoire on their own, and here they take on the lot, from folk laments and country soul to searing blues and upbeat rock & roll. Overseen by Elvis Costello producer T Bone Burnett and backed by high caliber musicians like guitarist Marc Ribot and multi-instrumentalist Mike Seeger, Raising Sand sees the duo create stellar covers of songs by Tom Waits, Townes Van Zandt, Mel Tillis and The Everly Brothers, among others. Highlights include a killer version of Roly Salley's "Killing the Blues", and a cover of the Plant-Page collaboration "Please Read the Letter," though in truth, it's difficult to find a weak spot on the whole album. --Danny McKenna
|
| Customer Reviews: Read 10 more reviews...
 Stellar Collaboration - A Must Buy! October 27, 2007
David Lusher (London England)
40 out of 42 found this review helpful
First of all, this is a truly great collection of songs. The arrangements are all superb, delivering an irresistible blend of country and rock. I love the musicianship on this album and the combination of these stellar voices works really well. Alison Krauss is a remarkable talent and Robert Plant shows that he still has the quality and dexterity to deliver magical vocal performances. We know we are in for something special from the very first track ('Rich Woman') which is a swampy stomp with a lovely reverb guitar reminiscent of Roy Orbison or Chris Isaak. The next track ('Killing the Blues') is a great country song and the vocal harmony is just to die for - superb! And it just keeps getting better. There is a lot to enjoy here and even if you're not really a fan of either artist, or are unsure about the collaboration, this album is definitely worth taking a chance on - it is unlikely to disappoint. This is quality country rock along the lines of some of the modern country music around today from the likes of Howe Gelb, Calexico or Iron & Wine.
Album Of The Year? October 22, 2007
S. J. Christie (london United Kingdom)
54 out of 58 found this review helpful
This is my favourite record of the year so far. A great selection of songs, most of which I had never heard before. The two voices work really well together and are enhanced by the excellent production. It may not appeal to hardcore Led Zep fans but is a must for anyone interested in Americana or atmospheric country music.
Superb. Is this the way forward? November 21, 2007
Ben Bottle (Gloucestershire)
69 out of 75 found this review helpful
I was initially quite hesitant about this album and ended up buying it out of curiosity. My curiosity is satisfied.
This may well be the future for Robert?
As much as I am - and always have been - a great Zep fan, I cannot see any future there. I do believe this may be the way forward for "old Planty".
His voice sits so well here; no screeching or wailing, no gutural roars, no real demands on his able but none-the-less ageing voice. Mostly gentle and/or easy-going with a few skippy numbers picking up the pace here and there.
BUT - this is also Ms Krauss who is surely a BIG influence on our hero. Her voice is silky and melifluous but doesn't lack strength.
This album surprised and pleased me. A meld of blues, bluegrass, country-rock and folk sauced with a bit of rockabilly.
This is Robert Plant - NOT Led Zeppelin and it is Ms Alison Krauss who will now (if there is any justice), get the credit she richly deserves.
Put it on, sit back and enjoy!
fantastic! November 25, 2007
C. Jefferies (UK)
32 out of 35 found this review helpful
I can't stop listening to this! It is far better than I ever expected it to be. I've always liked these artistes seperately, and together they produce something magical. Of course, critiques are always subjective, so all I can say, in my honest opinion, is that this album is going to be worn out with playing!
Breathtaking! October 31, 2007
William Watt (Scotland)
10 out of 11 found this review helpful
Ok, you have got this far, now don't blow it.
Buy this album!
Occasionally an album comes along that you just know is destined to be a timeless classic. "Raising Sand" is clearly in this category.
I honestly think that this album will be up there alongside "Astral Weeks", "Who's Next", "Red Dirt Girl", "Music For Airports, et al.
Yes it really is that good.
This is one of those collaborations that on paper looked extremely problematic.
Robert Plant has probably the hardest dirtiest voice in rock music.
Alison Krauss is up ther with Emmylou Harris in having the voice of an angel.
Having established that it shouldn't work, let's look at why it does.
The easy answer is to credit T.Bone Burnett, who as producer managed to get Plant and Krauss to each find something in the others voice/experience which they could identify with and draw on.
Personally I think it is just one of those rare occasions that defy all expectations and produce pure gold.
So maybe we should just accept it and be thankful that music can still throw up gems like this.
Standout tracks, in an album full of them, are "Please Read the Letter", "Gone Gone Gone" and the truly beautiful "Killing the Blues".
Other people will probably write longer and more detailed reviews, but I am content to leave this where I started it.
In humble appreciation of a masterpiece.
|
|
|
| |
