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Jamaica Inn [1939] | ![Jamaica Inn [1939]](http://ecx.images-amazon.com/images/I/5156H5XJDSL._SL160_.jpg)
 enlarge | Director: Alfred Hitchcock
Actors: Maureen O'hara, Robert Newton, Charles Laughton, Horace Hodges, Hay Petrie
Studio: ITV DVD
Category: DVD
List Price: £9.99
Buy New: £3.98
You Save: £6.01 (60%)
New (7) Used (4) from £1.00
Rating:  11 reviews
Sales Rank: 9336
Format: Black & White, Pal
Language: English (Original Language)
Rating: Parental Guidance
Region: 2
Discs: 1
Aspect Ratio: 1.33:1
Number Of Discs: 1
Running Time: 95 Minutes
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
EAN: 5037115050939
ASIN: B00009QNU2
Theatrical Release Date: October 13, 1939
Release Date: July 7, 2003
Availability: Usually dispatched within 24 hours
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| Editorial Reviews:
Amazon.co.uk Review
It's generally acknowledged that the Master of Suspense disliked costume dramas and Jamaica Inn--a rip-roaring melodrama drawn from a Daphne du Maurier pot-boiler, set in 1820s Cornwall--is about as costumed as they come. So what was he doing directing it? Killing time, essentially. In 1939 Hitchcock was due to leave Britain for Hollywood, but delays Stateside left him with time on his hands. Never one to sit idle, he agreed to make one picture for Mayflower Productions, a new outfit formed by actor Charles Laughton and emigre German producer Erich Pommer. An innocent young orphan (the 19-year-old Maureen O'Hara in her first starring role) arrives at her uncle's remote Cornish inn to find it a den of reprobates given to smuggling, wrecking and gross overacting. They're all out-hammed, though, by Laughton at his most corseted and outrageously self-indulgent as the local squire to whom Maureen runs for help. Since his star was also the co-producer, Hitch couldn't do much with the temperamental actor. He contented himself with adding a few characteristic touches--including a spot of bondage (always a Hitchcock favourite), and the chief villain's final spectacular plunge from a high place--and slyly sending up the melodramatic absurdities of the plot. Jamaica Inn hardly stands high in the Master's canon, but it trundles along divertingly enough. Hitchcock fanatics will have fun comparing it with his two subsequent--and far more accomplished--Du Maurier adaptations, Rebecca and The Birds. --Philip Kemp
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| Customer Reviews: Read 6 more reviews...
 Great! June 15, 2007
M. Duone (Caledonia)
1 out of 1 found this review helpful
I don't understand other reviewers, this film is fantastic! As usual Hitchcock takes a Du Maurier novel and revises it for his own means. Jamaica Inn is a fabulous tale of treachery and deceit and rewards repeat watching. It always makes me wince when people say that the likes of The Trouble With Harry, Torn Curtain or even the awful Topaz are better. Nonsense. It may not be typical Hitchcock but it shot very well, it has tension, it has action, romance and the story is very engaging. I honestly wouldn't give this film praise if it didn't deserve it as I'm normally quite critical but this film is a forgotten gem. **Get it or rent it and revel in a swashbuckling tale that will chill you to the bone**
 Alfred The Great. September 6, 2000
8 out of 8 found this review helpful
Of all Hitch's b/w films, this is probably the one he should've made in colour. -A roaring period piece, (unusual for Hitchcock) there's little doubt it would've worked better that way. It's a very exciting movie, with a great atmosphere and a good cast. One is so used to seeing the brilliant Leslie Banks playing either a British 2nd world war army general, or a dapper chainsmoking stiff-upper-lip gentleman, that you almost don't recognize him as the dirty loud brute he's playing here. Charles Laughton had a tendency to over-act, and this movie is no exception to him. Melvyn Johns (already an older man here) passed away only very recently, and is seen as one of the gang members. The critics didn't like this swashbuckler too much, and it's certainly not among Alfred's best, but being a big Banks fan I like it.
Cornish Nasties May 2, 2006
L. Davidson (Belfast, N.Ireland)
6 out of 7 found this review helpful
I would rate "Jamaica Inn" as one of the better of Hitchcock's 1930's British movies. It has a good plot, plenty of suspense and a steady build up of tension leading to an exciting finale. The acting is quite good, with Charles Laughton stealing the show as the pompous villain, Squire Pengallen ,but there is a strong supporting cast also. "Jamaica Inn" possesses all the recognisable ingredients of a typical Hitchcock movie. The storyline is a classic one of a "sheep among the wolves", with teenage orphan Mary (Maureen O'Hara) going to live with her aunt in "Jamaica Inn",a remote hostelry on the Cornish coast, home to a gang of murderous pirates and smugglers. She soon gets involved with the evil-doers and finds herself in danger when she discovers that their criminal network is co-ordinated by an unlikely figure who is enmeshed in a web of deceit. "Jamaica Inn" is an enjoyable film ,which points a mocking and accusing finger at the British class system , prior to Hitchcock's imminent departure for the USA.
Connoisseurs of ripe acting may enjoy this one. Laughton outdoes Laughton as Sir Humphrey Pengallan June 19, 2007
C. O. DeRiemer (San Antonio, Texas, USA)
3 out of 3 found this review helpful
If sinking your teeth into over-ripe fruit is one of your pleasures, then Jamaica Inn should be your dish. It features one of the ripest and most ludicrous performances I've ever seen from Charles Laughton as Sir Humphrey Pengallan, and that covers a lot of territory. As the squire who is the full-figured mastermind behind a gang of murderous wreckers on the Cornish coast, Laughton sports the latest dandyish fashions, a false nose, false eyebrows which almost have lives of their own, a carefully coifed comb-over, a piggish over-bite and line readings that would make Bette Davis at her most mannered envious. Close behind in the ripe playing sweepstakes is Robert Newton as Jem Trehearne, law officer and hero, who roles his eyes almost as much as Laughton, and Leslie Banks as Joss Merlyn, the leader of the gang and the owner of Jamaica Inn. The only person who manages reasonably well is Maureen O'Hara who plays Mary, the plucky and beautiful niece of Merlyn's wife. Even she is largely confined to earnestly crying out for decency and screaming.
Don't get me wrong. Jamaica Inn is so over-the-top it's a delight to watch, especially when Laughton is chewing the scenery. Hitchcock, making his last movie in England before leaving for the United States, supposedly became so bored during filming that he didn't care what the actors did. The story is a bodice-ripper by Daphne de Maurier; in fact, Maureen O'Hara's bodice gets ripped not once but twice. The time is about 1800. The place is Cornwall on the rocky coast. Jamaica Inn is a stone hulk of a building close by the warning light that shows ships where to avoid the rocks in the stormy seas. Someone with advance knowledge of ships with rich cargos has been blocking the warning light. When the ships founder, wreckers work their way to the ships, slaughter all the sailors and take the cargo. Merlyn and his gang are the heavies, but who is the mastermind? Then young Mary, whose parents have died, shows up late one night at Jamaica Inn's doorstep to be taken in my her aunt, Merlyn's wife. At the same time we learn that the gang has a ringer in its midst, an officer of the law determined to bring justice to Cornwall and identify the mastermind. We also learn (this is no spoiler; we find out very early in the movie) that the mastermind is the effete, mannered Sir Humphrey. It all comes together with madness and murder on the wind, switching from Jamaica Inn and the rain-swept coast to Sir Henry's elegant mansion and his imperious demands. "Listen Merlyn," Sir Humphrey says, "I want money. I know what to do with money when I have it which is why I must have it. Do you understand? I must have it!"
The movie looks great. There are crashing seas, stormy nights and coaches drawn by galloping horses. Jamaica Inn itself has that detailed, threatening look that Hitchcock achieved with the wind mill in Foreign Correspondent. Stone stairways go up and down, nothing fits well, shutters rattle in the wind. The scenery chewing isn't confined to the leads, either. The gang members get their moments, too, especially Emlyn Williams as Harry, an invariably cheery and dirty young man with a knife. The movie rises or falls, however, not on Hitchcock but on Laughton...and Laughton is so ripe he's spellbinding. You have to see him to appreciate his way with these words, spoken to a bound and gagged Mary, "We may be going a long way, you know. Nearer the sun, of course...the Isles of Greece. You're thinking that'll cost money, but I have enough. One must have enough. I always knew that to live like a gentleman, spaciously and with elegance, one must have money...and a few beautiful possessions, of course, like you, my deah." Sir Humphrey's last words bring the movie to a satisfyingly ornate ending: "Make way for Pengallan!"
The movie is in the public domain and there is no good DVD transfer. In addition, some editions have an 8-minute scene missing about 50 minutes into the movie. Look for a run time of approximately 98 minutes.
Not Hitch's best but still very entertaining & rarely shown March 29, 2005
Jeff Markham (Walton-on-Thames, UK)
5 out of 6 found this review helpful
Hitchcock's parting shot before leaving for Hollywood and greater fame is the least successful of his three Daphne du Maurier screen adaptations (the other two, of course, are REBECCA, 1940 and THE BIRDS, 1963). A classic gothic tale of Cornish skullduggery, smugglers and coming-of-age drama, with a then very young and very beautiful MAUREEN O'HARA as the heroine staying with her aunt at Jamaica Inn, which doubles as an HQ for a shady ring of pirates... CHARLES LAUGHTON is wonderfully over the top as the wicked Squire Penhaligon; Hitch gave up trying to 'direct' the great man and simply allowed a fine actor to dominate proceedings, something he rarely (if ever) allowed again. Terrific entertainment and a real curio in the Hitchcock canon which is well worth a try if you have never seen it.
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